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  • 2013_collection

    Manuel Mota Preview 2013 Bridal Spring Collection

    June 4, 2012 /

    The designer presents a truly glamorous collection, outstanding for its use of unique fabrics, a love of romantic tradition and, above all, majestic silhouettes with body and shine. Apt for even the grandest celebrations, the most important part of the bridal gown, this year, is undoubtedly the back. It is, of course, the part most visible to guests during the ceremony. Long, flowing veils are back, as are classic button fastenings, back bows and original backs, whether open or covered with sheer, embroidered fabric. Not to mention the trains, which flow out spectacularly from the waist of the gown, cathedral or chapel style, and which are one of the most attractive features of the ensemble.

    GARBO_C[2]
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    GAMO_B[1]
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    GAMBOA_C[1]
    GAMBOA_B[1]
    GAMBOA_A[1]

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  • 2013_collection

    Manuel Mota Preview 2013 Spring Bridal Collection

    May 31, 2012 /

    The designer presents a truly glamorous collection, outstanding for its use of unique fabrics, a love of romantic tradition and, above all, majestic silhouettes with body and shine. Apt for even the grandest celebrations, the most important part of the bridal gown, this year, is undoubtedly the back. It is, of course, the part most visible to guests during the ceremony. Long, flowing veils are back, as are classic button fastenings, back bows and original backs, whether open or covered with sheer, embroidered fabric. Not to mention the trains, which flow out spectacularly from the waist of the gown, cathedral or chapel style, and which are one of the most attractive features of the ensemble.

    GAMBOA_C[1]
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    GALES_C[2]
    GALES_B[1]
    GALES_A[1]
    GALERA_C[2]
    GALERA_B[2]
    GALERA_A[1]

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  • 2013_collection

    Manuel Mota Preview 2013 Bridal Collection

    May 29, 2012 /

    The designer presents a truly glamorous collection, outstanding for its use of unique fabrics, a love of romantic tradition and, above all, majestic silhouettes with body and shine. Apt for even the grandest celebrations, the most important part of the bridal gown, this year, is undoubtedly the back. It is, of course, the part most visible to guests during the ceremony. Long, flowing veils are back, as are classic button fastenings, back bows and original backs, whether open or covered with sheer, embroidered fabric. Not to mention the trains, which flow out spectacularly from the waist of the gown, cathedral or chapel style, and which are one of the most attractive features of the ensemble.

    GALA_C[1]
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  • 2012_collection

    Manuel Mota 2012 Spring Bridal Collection

    September 11, 2011 /

    Curves and hips, symbols of femininity, are accentuated with rebrodé lace, swathed with double silk organza or glimpsed under guipure lace. The Empire line versions captivate with their high waists or are updated, gathered up in gracious abullonés, producing floaty camisoles scattered with lace.

    ECLIPSE_C[1]
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  • 2012_collection

    Manuel Mota 2012 Spring Summer Preview Collection

    May 24, 2011 /

    Curves and hips, symbols of femininity, are accentuated with rebrodé lace, swathed with double silk organza or glimpsed under guipure lace. The Empire line versions captivate with their high waists or are updated, gathered up in gracious abullonés, producing floaty camisoles scattered with lace.

    PUNTAL_C[1]
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    PROSA_C[1]
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  • 2012_collection

    Manuel Mota 2012 Spring Preview Collection

    May 23, 2011 /

    Curves and hips, symbols of femininity, are accentuated with rebrodé lace, swathed with double silk organza or glimpsed under guipure lace. The Empire line versions captivate with their high waists or are updated, gathered up in gracious abullonés, producing floaty camisoles scattered with lace.

    PROLOGO_C[1]
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    PRISMA_C[1]
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    PRIMOR_B[1]
    PRIMOR_A[1]
    PRIMAVERA_C[1]
    PRIMAVERA_B[1]
    PRIMAVERA_A[1]

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  • 2012_collection

    Manuel Mota 2012 Preview Collection

    May 19, 2011 /

    Curves and hips, symbols of femininity, are accentuated with rebrodé lace, swathed with double silk organza or glimpsed under guipure lace. The Empire line versions captivate with their high waists or are updated, gathered up in gracious abullonés, producing floaty camisoles scattered with lace.

    PRESTIGIO_C[1]
    PRESTIGIO_B[1]
    PRESTIGIO_A[1]
    PRELUDIO_C[1]
    PRELUDIO_B[1]
    PRELUDIO_A[1]
    PREFERIDA_C[1]
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    PREFERIDA_A[1]
    PRAGA_C[1]
    PRAGA_B[1]
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    PRADO_C[1]
    PRADO_B[1]
    PRADO_A[1]
    PRADERA_C[1]
    PRADERA_B[1]
    PRADERA_A[1]

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  • TheFashionBridesInterviews

    Uranio by Manuel Mota

    February 17, 2009 /

    uranio1

    It’s not  a beautiful thing to blog about. But maybe it’s a way to wake up from our “beautiful sleep”. Life is not always an easy road and the only think we are sure about is that we never know how and when it will end.

    The team at Now magazine have been nice enough to quote me as a reference to Manuel Mota’s gown offered to Jade Goody by Mohamad Al Fayed. I can only thank them and I hope the gown will bring a little love, happiness and hope to Jade.

    PS. @ all my readers:  Take care of you all! Love, Kally.

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