In Franc Sarabia’s bridal work, volume is a matter of placement. A skirt that opens close to the waist gives the dress a clear division between its upper and lower halves. When fullness begins farther down, the eye follows the figure for longer before the outline widens. In a clean silhouette, these choices are easy to see and can give a dress considerable presence.
“Áurea” takes its name from the golden ratio, a reference that suits the label’s interest in proportion. The most revealing view is often the profile: the front shows where the dress frames the figure, but the side shows how far the fabric falls away from it. As the wearer moves, the balance between those two views gives the gown its character.
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