Elena Morar’s taste for formal bridal dressing gives the skirt an important role. Fullness that begins at the waist makes the division between bodice and skirt easy to read, especially from the front. When the line stays close through the hips before widening, the effect shifts toward the lower half of the dress. The position of that change matters as much as the amount of fabric: it determines where the eye pauses and how long the figure appears.
“Mriya” belongs to a bridal vocabulary in which the profile is worth as much attention as the front. As the wearer turns, the space behind the skirt becomes visible and the hem takes on greater importance. That second view can reveal the proportions of a gown more clearly than a front view alone.
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More from Elena Morar
Discover more bridal collections from Elena Morar.
