Elihav Sasson brings the proportions of eveningwear into the bridal wardrobe. A close fit through the torso gives the figure a strong vertical line, and the point at which the skirt begins to widen determines how long that line appears. Fullness at the waist makes the skirt a separate presence; a flare that starts farther down keeps the emphasis on the figure for longer.
In Sasson’s bridal vocabulary, the profile can be as revealing as the front. The amount of fabric carried behind the figure changes the impression of a gown, particularly when the wearer turns and the skirt follows a moment later. That delay gives movement its own role in the design: the cut establishes the silhouette, and the motion of the fabric shows how far it extends.
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